FORWARD
The 188 stage Hero’s Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188 stage template.
Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.
[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].
THERE IS ONLY ONE STORY
THE 188 STAGE HERO’S JOURNEY:
a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).
d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.
ABRIDGED TIPS, EXCERPTS AND EXAMPLES:
(simply go to heros-journey.info/ heros-journey.info/ for full details)
*****Shape Shifter Revealed and The Red Herring*****
The shape shifter’s true nature becomes apparent [post the Rebirth through Death]. In The Incredibles (2004), Bomb Voyage assists the Incredibles to escape.
Red Herrings and misdirections are toyed with and implemented. In Star Wars (1977), Han considers “leaving this party.” In Syriana (2005), we are led to believe that it is Whiting who will be sacrificed. In Harry Potter and the Goblet of Fire (2005), we are led to believe that Severus Snape is a threat.
***Unwilling Allies to the Sword*****
Because the Journey to the Sword is often suicidal and impossible:
Allies are Unwilling. Many allies refuse to journey with the Hero. Often the Romantic Challenge is an obstacle. In Carlito’s Way (1993), Gail distances herself from Carlito when he agrees to help break Tony T out of prison.
Persuading Allies. Critical allies have to be persuaded to help on the Journey to the Sword - it is a dangerous mission. In Star Wars (1977), Han Solo and Chewy are resistant to rescuing Leia until Luke persuades them.
Learn more…
WRITE THAT SCREENPLAY!
The Complete 188 stage Hero’s Journey and other story structure templates can be found at monomyth.info/ monomyth.info/
188 stages of the Hero’s Journey can also be reached from story-structure.org/ story-structure.org/
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Kal Bishop, MBA
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