Writing Inrochester

Meta tags are used on a particular webpage and are written even before writing the content for the page. Majority web masters usually write the content of the webpage and then add in keywords in the Meta tags. This isn’t the best approach as it generally makes your page a bit confusing to your visitors. Before writing content for website, spend quality time in selecting 3-4 primary keywords. After doing that, spend another minute to write phrases from those words. This is an easy task and won’t take much time of yours. A few questions that hit the mind are:

Question 1) How do I select proper keywords to use as Meta tags?

Answer: This is a brilliant question and there are two prime rules to be followed while selecting appropriate keywords.

A) Select your keywords based on the content of your website: For instance, if your website deals in digital photography. Then your targeted keywords could be digital, photographs, photography, and so on. Use these keywords as they are completely related to your website.

B) Sprinkle your keywords equally throughout the content of your website: Always make a point that you select words that easily integrate into the content of your website. You should never forget that not just people who are reading content of your website but also search engines. Hence, the keywords you select should fit the content of your website completely.

Question 2) How should I write a good description tag?

Answer: Write a good description tag, that brief what your website is all about. It is vital to note that you are restricted to mere 200 characters in the description tag, so you have to be as concise as possible and creative too.

Question 3) How can I use the Title tag Effectively?

Answer: There are a few misconceptions related to Title tags. People usually say that a good, successful Title tag consists of just mere keywords. However, this is completely untrue. Every good title tag mainly consists of two important things, those are, the name of the website and a brief description of what all is available on the website.

Meta tags and titles are exceedingly useful to your website. Master all of the above mentioned techniques and surely you will be able to craft effective and effectual Meta tags and titles that will boost your website and make it earn a higher search engine ranking with more visitors.

The author is dynamic web content writer and budding SEO. He has got the experience in writing quality content for various websites and getting them optimized too. You can view

Plot

As with every other aspect of short story writing, under ideal circumstances you won’t need any rules about plot, and won’t need to analyse what you are doing. A story will just arrive in your mind and demand to be written. You won’t need to plan it in advance, and as you work you will know how to shape and direct it simply by following your instinct. The whole process will happen of its own accord and you will be too busy writing to think about ‘plot’ or ‘theme’ or ’suspense’ or anything like that.

The ability to work instinctively, without reference to guidelines, is our aim, but it rarely happens without the writer first having given at least a little analytical thought to what makes a good story work. Similarly the ability to see where a story-in-progress which has got stuck might be going wrong, and how to put it right should become instinctive, but is unlikely to do so without at least a glance at some guidelines.

The guidelines which follow, therefore, are not hard and fast rules, but aids to thought, both for the planning of stories, and for the diagnosis of problems in stories which have gone wrong.

An event in a person’s life

The most important thing about a short story plot is that it should be about and event in a person’s life. The reader is drawn into a story by identifying with the central character, and it is this identification which should hold his attention all the way through. A finished story may well have a general meaning, such as: ‘love will find a way’ or: ‘appearances can be deceptive’, but it is not practical to set out with the intention of creating a story to illustrate such a message. We must start with a person - a person facing some kind of predicament, and work out the story in those terms.

A unifying theme

But it is also important that a plot should have a unifying theme - a purpose, to hold it together.

If the plot is what happens in the story, the theme is what it means, what it is about; not in a general sense, but in terms of the specific struggle in which the central character is engaged. Without a theme a plot becomes episodic - A happens, then B happens, then C happens, etc. without a sense of purpose or direction.

The theme is the backbone of the story, and should form an unbroken link from the beginning to the end. If you are developing a story, and not sure where it should be going, a consideration of the opening, or the proposed ending should reveal the theme and help you pull it together.

The opening paragraphs of the story should establish a situation which is unstable, which contains within it the necessity for change, and the ending should show the results of that change, and the achievement of some form of stability. The nature of the initial instability should be mirrored in the finally achieved stability, and the connection between them is your theme. So you should be able to see the opening of your story reflected in its ending, and the ending reflected in the opening. If you cannot then the story hasn’t yet gelled, and won’t yet work.

In some cases you may not be able to define your theme in words, it may be just a feeling, and the story may well be an attempt to capture that feeling. There is nothing wrong with this, in fact it may be the way the best stories are conceived, but even if you can’t define the theme you must have a sense of what it is. It must be there as the raison d’être of the story, giving it direction and holding it together.

Conflict

The progress from opening to ending should be logical, but not straightforward. A simple situation of instability resolving into stability does not make a plot. A conflict between opposing forces is needed, and should be integral to the theme. The conflict can be between the central character and other characters, between the central character and his circumstances, or between conflicting desires within the central character.

The conflict does not have to be violent or arouse extreme passions, nor does its nature necessarily have to be obvious or clear-cut. It can be as subtle as you like, but it must be there, holding the reader in suspense.

Copyright: Ian Mackean
literature-study-online.com/creativewriting/

Ian Mackean runs the sites literature-study-online.com/ literature-study-online.com, where his site on Short Story Writing can be found, and booksmadeintomovies.com/ booksmadeintomovies.com. He was a short story and novel writing tutor for many years, and had many of his own stories published in literary magazines. He is the editor of The Essentials of Literature in English post-1914, ISBN 0340882689, which was published by Hodder Arnold in 2005. When not writing about literature or short story writing he is a keen amateur photographer, and has made a site of his photography at photo-zen.com/ photo-zen.com

Have you discovered the power of article marketing? Do you write articles as a way of promoting your website? How many article directories do you submit each article to? Do you know which article marketing websites are the most popular? Despite what some so called seo experts might say, article marketing is here to stay. I have been writing articles for the last three years and I have to say that I am more than happy with the results. In this article I am going to write about the different article directories that I submit my articles to.

Each week I set myself a goal to write at least seven articles. This is the minimum amount that I will write and if I can manage to keep this up, I am very confident that all of my websites will continue to receive huge surges in traffic. As an example even though my aim was to write seven articles last week, I actually managed to write twenty.

The main benefit to writing all of these articles is the potential amount of backward links that your website can obtain. The more backlinks your site can attract, the more visitors the site is likely to attract. Each article also has the potential of attracting a visitor merely from the author bio section at the bottom of each article.

I submit each article that I write to five article marketing websites, these are ezinearticles, goarticles, searchwarp, articledashboard and ideamarketers. To date I have had over five hundred articles accepted into each of these directories.

I have to say that my favourite article marketing directory has to be ezinearticles. This is also probably the most famous and popular of all of the five websites above.

I do not include the article that I submit to the article directories on my own website/s as I do not want to receive a penalty for having duplicate content.

Stephen Hill runs The How To Stop Stammering Centre, he has a number of websites including:

stammering-stuttering.co.uk stuttering information

adaptatech.co.uk dvd duplication

stutter-stuttering.com stuttering treatment

Critics call Waiting for Godot by Samuel Beckett one of the first examples of the Theatre of the Absurd. This school of theater derived on the base of existentialists’ teaching in philosophy and art. Existentialists believed in nothing but conscious existence. But this existence had no sense for them. They emphasized the uniqueness and isolation of the individual experience in a hostile or indifferent universe. Another point of existentialist teaching concentrates on the sense of anguish, loss of hope and fear which penetrates all spheres of human existence. Third point of this teaching is a theme of absurdity of our life and absence of meaning. All this characteristics of existentialism can be found in Waiting for Godot play and in general it can be regarded as a bright example of an existentialist absurd art.

This play became a challenge for an audience as it was a completely new type of the play and a bold attempt to give the explanations to the world which had no meaning at all. One set for the two acts stresses the absurd of human life. Beckett states that existence is determined by blind chance. Estragon and Vladimir are waiting for Godot who never arrives and the more they wait the less chances for them to meet Godot they’ve never seen. Actually there were a lot of ideas about who Godot might be as Beckett himself didn’t give an answer. Some critics state that main characters are waiting for God, other give the French translation of the word “boot”. But the main idea here is waiting for somebody to bring sense and understanding to senseless and empty lives. And existentialists know that this will never happen as there is nobody and nothing that can do this.

Another existentialist theme touched by Beckett is the meaningless of time. It was concluded by many critics that second act repeats the first one. It means that for the characters of the play the life is repeated day after day and forms an exclusive circle, where past, present and future and mixed and make no difference. The play is structured this way to let us understand that Godot most probably will not come and the certainty and hope he must have brought with his arrival will not come either. Every day Godot’s messenger doesn’t recognize Vladimir and Estragon and they meet Lucky and Pozzo at the same place. Finally Vladimir and Estragon stay at the same place in the end of the play where we met them at the very beginning and nothing has changed and never will.

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The main theme of the play is the main idea of existentialism – the search of the sense of life. And like all existentialists, Beckett doesn’t give an answer. His characters try to do anything possible to keep themselves busy and to pervert themselves from thinking about the meaningless and vanity of everything they do. “Nothing happens, nobody comes, nobody goes, it’s awful?” Estragon complains in the beginning of the play. And this is the most terrible thing that happens to them. The theme of fear and dependence is also examined in the play. These are the topics typical for existentialism teaching. And the attempts of suicide taken by both sound comically and tragically at the same time. Vladimir: What do we do now?

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He is also a technical writer, advertising copywriter, & website copywriter for Custom Essay Writing Service.

The book started with an attention grabbing first paragraph and continued showing the reader what happened and how. The writer brought me into the story and held me captured. Then suddenly I was confused, lost, and wondering what I had missed. The author used a flashback without warning, transition, or notice. He continued to commit the same error throughout the book: disrupting the unity, the flow of the story. If flashbacks used incorrectly in a novel can disrupt the unity, the flow, the focus of the story, just image what incorrectly used flashbacks can do to a short story. Flashbacks can be effective in novels, when used correctly, but long flashbacks aren’t recommended in short fiction and, if used, should be used carefully.

Perhaps we should discuss flashbacks first. These are brief scenes of past occurrences, before the main action of the story, that are inserted to explain motivations, character histories, background influences or information that cannot told during the chronological sequence of a story.

Edgar Allen Poe believed the unity of focus in a short story was paramount. Flashbacks interrupt the unity of a story. Therefore, if one is absolutely needed, it should be short and with smooth transitions.

In novels, prologues can be used to “set the stage” with information that won’t fit into the story line but which is needed for the reader to understand certain elements of the book. Short stories don’t have that option. However, according to Nancy Kress, in “…And My Whole Life Flashed Before My Eyes…” Writers’ Digest, October 2000, The advantages of flashbacks can be maximized by following a few guidelines:

1. Flashbacks should follow a strong scene. They should never be the first scene or even a second scene after an introductory scene. The flashback should also show, not tell. It needs to be a vivid action scene in active voice. Dialogue is a good tool to use in flashbacks.

2. Smooth, clear transitions are a must. Readers should never have to stop and decide where a flashback begins or ends. Letting the reader know who, what, and when helps keep him or her from becoming lost.

3. Using verb tenses wisely helps the transition of a flashback. If the story is written in present tense, then a flashback should be in past tense. If the story is written in past tense, then starting the flashback in past perfect tense, then moving into simple past tense, then finishing the last few verbs in past perfect will give verbal signals to the reader.

4. Avoid jumping from one flashback into another. In fact, more than one flashback in a short story may be too much.

The most effective flashbacks have a catalyst such as a song, place, person, an aroma, a sight, a sound, or an event that causes a memory for a character. The flashback needs to be integrated into the plot while adding to an issue or character. The flashback must be related to the present action.

Remember that since flashbacks stop the story, use them rarely and then with smooth transition. The plot, characters, and conflict should be thoroughly introduced before using a flashback. Be brief. Illustrate the information before quickly returning to the story.

Certain places in a story should never include a flashback: never in the middle of an emotional or eventful action; never in climatic scenes. Also don’t use flashbacks to characterize and replace dramatic scenes.

A final note, an emphasis actually, remember to use smooth, clear transitions and use flashbacks only when absolutely necessary. As James V. Smith wrote: “When you reach a moment of truth in such a story, you realize that that literary instant results from a confluence of a hundred facts and circumstances you’ve read earlier in the story. Every iota is a related, orderly part of a whole that cannot be taken out without damaging the overall structure. When you read a work that gives you this feeling, you know it was written by a master of transition.”

Sources:
1. ©Fall, 2003, Dory Lynch Page location: www.bloomington.in.us/~dory/creative
2. Nancy Kress, Writers’ Digest, October 2000
3. allworth.com/Samples/Authors_Toolkit.pdf
4. Jessica Page Morrell, writing-life.com/fiction/fashbacks.html
5. www2.eng.cam.ac.uk/~tpl/tests/time.html
6. Notes and lesson plans from Vivian Zabel

Vivian Gilbert Zabel became an author on Writing.Com/ Writing.Com/,
which is a site for

After 70 years audio books are still going strong. Nowadays it is very easy to download audio books from the Internet, which makes them more popular then ever before.

A short history of the audio book

In 1920 the Royal National Institute for the Blind in England was already doing research on how to create audio books for the blind.At that time there were a lot of ex World War 1 soldiers who had gone blind as a result of the fighting.
In 1926 the RNIB started to use LP’s to record audio books which could be played on record players (the kind with the big horn, you had to swing a handel a couple of times before it would play).
In 1936 the “Talking Book Service” was launched.
The first two books were:’The murder of Roger Ackroyd’ by Agatha Christie and Joseph Conrad’s ‘Thyphoon’
The records used at the time could hold 25 minutes of spoken text, so they needed about 10 records for an average audio book.
In 1940 the studio used by the RNIB was bombed, and one month later a replacement studio was also bombed .The RNIB wanted to start publishing audio books again, but they needed certain materials which had been destroyed.
In America, the American Foundation for the Blind (AFB), had started producing audio books as well, and they did send the much needed parts to help their English counterparts.
Unfortunately the shipment got lost during a bombing raid of the London harbor!
A second shipment however did make it, and the RNIB was able to start again with the production of audio books.

In the sixties the audio books started to appear on cassettes.
The first cassettes were the so called “4 Track’s”.
Your average audio book on one of these 4 Track’s was so big that it could not be send by ordinary mail, and had to be delivered by a special packet delivery service.
With the invention of the compact cassette delivery by mail became possible again.

Later, after the invention of the compact disk player, audio books started to appear on CD’s.
Nowadays the audio books have become more popular then ever before, in spite of their age.
One of the main reasons for their ever growing popularity is the fact that audio books can be downloaded straight from the Internet and can be listened to anywhere you want, even on your I-Pod!
There are a good few audio book publishers who provide this service, and it looks like they are on to a winner.

Audio books, more then 70 years old and still growing strong.

Henk Rekers is W.M of stroompje.nl/download-audio-books/index.htm Audio Books.

Immediately outside of my front office window hanging at eye level from what must be a mulberry bush is a colorful hanging birdfeeder dish that I set up for the cardinals who frequent my area. Naturally, this easily accessible feeder is also regularly visited by squirrels despite my regularly leaving a copious amount of seeds on the ground for their consumption.

Most of the time I ignore the squirrels, resigning myself to knowing that I will get the occasional pair of cardinals stopping by with the remaining time given over to the furry-tailed rodent gang.

Recently, however, I have taken to fighting back. On warm days I prop open the window, grab a cold glass of water sitting on the nearby sill, and soak the squirrels when they stop by. Squirrels move fast, but on several occasions I have managed to see one run off with a fully drenched tail.

Before you contact the ASPCA to register your complaint, please realize that the water is cold, but not frigid. I have considered scalding the ‘lil boogers, but have decided I shouldn’t be so cruel. Besides, I really need to concentrate on completing my writing projects and not on vanquishing the nervy local squirrel population.

At least for now.

Copyright 2006 – For additional information regarding Matt Keegan, thearticlewriter.com/service.htm The Article Writer, please visit his thearticlewriter.com/blog/ blog for wit, quips, and freelance writing tips.

Article writing has been a great boost to my businesses, both online and offline.

But if I would have listened to my own limitations or the limitations that others put on me, none of this would have ever happened.

The power of words

I didn’t finish the dissertation part of a Ph.D. program in marriage and family therapy because I believed I could not write. While there may be some people who would say that is still true, I would like to think I somehow found a way to surprisingly blow those limitations out of the water.

At some point in my graduate school career, I had an opportunity to look in my student file in my department. One of my favorite professors in my master’s program said in her referral letter that while I was bright and personable, that my writing abilities might present a challenge when it came time to write a dissertation.

Boy was she ever correct!

And I probably still could not write academically, for the most part because I find it tedious and boring. I found myself bored so often as a child that I promised myself I would not spend much time as an adult feeling bored.

So here I am as an adult, not only benefiting greatly from writing and marketing articles online and offline, but coaching and mentoring others to do it as well.

Go figure.

Do you believe you cannot write?

Has someone told you that you cannot write?

What if the both of you are wrong?

Visit theinternetarticleguy.com TheInternetArticleGuy.com for more leading edge tips and tools for writing articles that bring you prospects, publicity and profits. You can also subscribe to our monthly theinternetarticleguy.com Article Writing & Marketing Tips Newsletter. You are also invited to visit my

How do I know that writing and submitting articles works? I have placed a tracking link in one of my articles, and seen the hits from that link increasing as the article circulates. I′m sure that the traffic will die off sometime, that’s why I write and submit at least one new article every week.

If you want to take advantage of traffic from articles you write and submit, then the following few tips may help to make it easier and more effective for you.

5 Tips for writing & submitting articles…

1. Just go for it, don’t be overly fussy, write an article, read it and check for spelling mistakes and then submit it. People get too wrapped up in spelling, grammar etc. and never get round to doing it.

2. Make sure you have a good title, which contains keywords for your article, but also write it to catch attention. Which would you read?
10 tips to increase your sales
or
10 supercharged tips to send your sales soaring

3. Submit to as many authors and article sites as you can, so your article gets picked up and used by as many ezine writers, and web builders as possible. You can find a list of article sites to submit to at
cashinonline.info/articledirectorylist.htm

4. Don’t turn your article into an ad if you are promoting a product, make it informational and add the link to your site in the authors bio (or signature) which all article directories allow. It is also a requirement that anyone who uses articles from directories keeps your bio intact.

5. Stuck for ideas? My own personal ideas for articles come from what goes on around me. I spot something which sets me thinking, and I make some notes as the ideas flow. Later I fill out the notes with details, and follow on with any new ideas I get. Others write a review of a product, or servive

I hope these few tips will get you started or help you to improve your use of articles as a promotional tool. I can assure you it works, I tracked my article link after all.

Douglas Titchmarsh runs an article dirctory that you can submit your articles to at
debsarticlesite.com debsarticlesite.com and also a newsletter you can subscribe to at thediscountebookstore.com/blog thediscountebookstore.com/blog

Here is a book proposal example for a book entitled High Rents.

High Rents

A Book Proposal

By [Your Name Here]

OVERVIEW

How many people pay high rents? Everyone. Yet there are no books on this subject.

HIGH RENTS is the first book to look at this subject from the renter’s point of view. It is divided into two chapters. Chapter One is about high rents. Chapter Two is about how to deal with high rents. The book will be 75,000 words long and be ready one year after receipt of the advance.

MARKETING AND PROMOTION

This book will appeal to everyone who pays rent, and that includes 53 percent of the U.S. population, for a total of 41 million adults. An additional market will be attorneys who represent landlords and tenants. A further market will be book clubs and libraries.

HIGH RENTS can be promoted on radio and TV. I will make myself available to these media outlets. I have already appeared on the radio when I was a guest on the “Holiday Ideas” radio show on WCDB-AM in Paducah. I write an occasional column in the local newspaper, and I will promote the book there as well. I have already gotten interest from two television producers, one from the local ABC news channel, and another from the local CBS channel. This is a good indication that my book will generate massive publicity when published.

COMPETING BOOKS

There is only one competing book, and it is entitled RENT by John Author (Competing Books Publisher 2007) but his book doesn’t deal with high rents. In contrast my book will focus exclusively on high rents and will be of interest to more people because everybody wants to avoid high rents.

ABOUT THE AUTHOR

[Your name here] is a magazine writer for the Pacific Monthly. She has written numerous columns for that publication. She is a graduate of Oklahoma State University, and is a regular speaker at the Paducah Tenant Organization. She also travels to lecture at other tenant organizations in New York and elsewhere. She is very excited about this book because many tenants have told her they wish there was a book like this available.

LIST OF CHAPTERS

Table of Contents

Chapter 1 - High Rents

Chapter 2 - How to Deal with High Rents

Index

CHAPTER SUMMARIES

Chapter 1 - High Rents.

The first chapter talks about high rents in the United States. It is divided into fifty sub-sections, each about one of the states. I examine the statistical frequency of high rents in each state. This will not be a boring book because I will interject jokes about high rent in each section.

Chapter 2 - How to Deal with High Rents.

The second part of the book will deal with thirty-six ways to deal with high rents. These methods include making more money, paying in installments, paying with credit cards, borrowing from relatives, borrowing from banks, subletting, ending a lease, having a moving sale, and other methods. Each method will be discussed with plenty of real-life examples.

SAMPLE CHAPTER

[Include a sample chapter here.]

ANALYSIS OF THIS SAMPLE BOOK PROPOSAL

This example of a book proposal is much shorter than an actual book proposal, of course, but it gives you all the essentials. The first thing it contains is the overview, which is supposed to hook reader interest. This is followed by a marketing and promotion section in which you tell who will buy your book and how you’ll publicize the book. Typically this is followed by the competing books section where you talk about similar books and stress why yours is better.

Then you discuss your credentials in the about the author section. Whatever you’ve done that will give an editor confidence belongs in here, even if you have no big publishing credits.

Then you list the chapters, which is basically just a table of contents for your book. And follow this with short chapter summaries. Notice that my chapter summaries are only one paragraph each. That’s all you need.

Then attach a sample chapter or two. In this case, since the entire book is only two chapters, we’re only attaching one chapter.

You’ll find plenty of examples of book proposals in books and online, but remember my most important advice. Select one book proposal example and use it to write yours. Using too many can just confuse you. If you select wisely, you’ll have a great model and will be off to a great start in your book proposal writing.

William Cane is the author of The Art of Kissing, translated into 19 languages. He taught English at Boston College for fourteen years and today is a widely sought-after speaker at colleges and universities nationwide. His Web site contains more insider writing advice for those wishing to get published: hiwrite.com hiwrite.com

Copyright © 2007 William Cane