Hero’s Journey (Monomyth) Plots: What Are they?

[From our deconstruction of hundreds of Hollywood blockbusters and sitcoms (see below for Home Page) and our isolation and identification of more than 188 stages of the Hero's Journey that you need to know about...]

The Hero’s Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the Hollywood movies we have deconstructed are based on this template.

Understanding this template is a priority for story or screenwriters.

The Hero’s Journey:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.

and more…

What are Hero’s Journey Plots?

From our deconstruction of hundreds of successful Hollywood blockbusters and stories and our knowledge as writers, our thesis can be reduced to the following:

a) The essence of story is transformation.

b) The process of that transformation, at the root level, is the Hero’s Journey.

Moving on:

a) There are a finite number of drivers that push (or pull) the transformation forward. For example, sometimes the driver is an Antagonism, sometimes it is the urge for a New Self etc.

b) There are a finite number of transformations. For example, Rags to Riches, New Self, Tragedy etc.

Each combination of the above produces its own variable Hero’s Journey Plot. For example, if the Hero is willing, there tend to be a greater number of Obstacles and Interdictions, whereas if the Hero is unwilling, there tend to be a greater number of Pushes or Pulls forward.

A Hero’s Journey Plot is a much more specific elicitation of the Hero’s Journey (and consequently cannot be applied as broadly). The advantage is that that specificity allows for a much more guided template and makes writing a words-on-paper first draft much easier. A Hero’s Journey Plot also allows you to easily roll out a words-on-paper first draft from many angles. For example, the same story can be written from the perspective of an unwilling Hero, the perspective of a willing Hero, where the Hero increases in status (Rags to Riches) or where the Hero decreases in status (Tragedy).

Our Advanced Worksheets are elicitations of various Hero’s Journey Plots. They are pragmatic worksheets with an arrangement of incidents / sequence of events that each follow plausibly from the other. They are like chalk outlines that will allow you to extrapolate ideas into full blown stories.

Kal Bishop is a management consultant based in London, UK. His specialities include Knowledge Management and Creativity and Innovation Management. He has consulted in the visual media and software industries and for clients such as Toshiba and Transport for London. He has led Improv, creativity and innovation workshops, exhibited artwork in San Francisco, Los Angeles and London and written a number of screenplays. He is a passionate traveller. He can be reached at clickok.co.uk/ clickok.co.uk/

Are You A Seven Figure Copywriter?

What is that you may ask? It’s closely related to yesterday’s post. Let me explain.

In the teachings of Buddha, it says “The Five faculties of power are: First, the faith to believe; second the will to make the endeavor: third, the faculty of alertness; fourth, the ability to maintain clear wisdom. These five faculties are necessary powers to attain Englightenment.” (The Teaching of Buddha : translated by Bukkyo Dendo Kyokai)

Jesus Christ said “But seek first the Kingdom of God and His righteousness, and all these things shall be added to you.” (Mt. 6:33)
Jesus Christ explained, “The Kingdom of God does not come with observation; nor will they say, ‘See here!’ or ”See there!’ For indeed, the Kingdom of God is within you.” (Lk. 17:20-21)

Now don’t get me wrong, I’m not a religious person. I don’t subscribe to Christianity, Paganism, Islam, Buddhism, Hinduism, Sikhism, Judaism, Shinto, Atheism (yes I consider atheism a religion, you have to actively believe in atheisitic beliefs) or any other religion.

But I am a spiritual person and there is a difference in being spiritually involved and being religiously involved. Sometimes one does exist without the other.

Having said that, no matter who you are and what religion you do/don’t believe in, you will come to the same point that this posting is about.

The point is that a Seven Figure Copywriter has the seven figure heart. It’s the copywriter who doesn’t buy into traditional way of doing things.

It’s the copywriter who does not take the word “No” for an answer. It’s the copywriter who when faced with difficult challenges taps into another dimension and reality.

It’s the copywriter who’s got the guts to go against all that say “you can’t”. It’s the copywriter who’s sick and tired and fed up on a Monday morning, and right back at it Monday evening.

It’s the copywriter who has already made up his/her mind that they ARE a Seven Figure Copywriter. He or She does not have to wait for a bank statement to BE what he or she knows they are. This type of copywriter knows that its only a matter of time until those seven figures are on the bank statements.

So – Are YOU a Seven Figure Copywriter?

Enigma Valdez is an internet marketer dedicated to helping businesses grow and succeed. You can access his sites at

resultsbasedmarketing.blogspot.com/ resultsbasedmarketing.blogspot.com/
sevenfigurecopywriter.blogspot.com/ sevenfigurecopywriter.blogspot.com/

188 Step Hero’s Journey (Monomyth) - Joy of Infancy Regained

FORWARD

The 188 stage Hero’s Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188 stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

THERE IS ONLY ONE STORY

THE 188 STAGE HERO′S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

and more…

JOY OF INFANCY REGAINED

(simply go to story-structure.org/ story-structure.org/ for full details)

One important yet often missed aspect of the Hero’s Journey is the Joy of Infancy Regained.

Once the Hero has Seized the Sword, he (or she) often experiences Joy of the like that has not been experienced since youth.

In Scarface (1983), once Tony seizes Frank’s empire, he experiences the stage of the Joy of Infancy Regained.

In The Godfather (1972), once Michael marries Apollonia, they both experience the stage of the Joy of Infancy Regained (the honeymoon period).

In Basic Instinct (1992), Nick admits he is in love with Catherine. Once he beds her, he experiences the stage of the Joy of Infancy Regained.

Learn more…

WRITE THAT SCREENPLAY!

The Complete 188 stage Hero’s Journey and other story structure templates can be found at monomyth.info/ monomyth.info/

188 stages of the Hero’s Journey can also be reached from heros-journey.info/ heros-journey.info/

You can also receive a regular, free newsletter by entering your email address at this site.

Kal Bishop, MBA

**********************************

You are free to reproduce this article as long as no changes are made, the author’s name is retained and the link to our site URL remains active.

Take the Challenge, Become an Author

If I had a dollar every time someone told me I could not write a book I would be rich. I accepted the ultimate challenge, becoming a author.

It takes motivational to write a book and do not fool yourself into thinking it is going to be easy. The reason why writing a book is challenging is because the first book you write you will not know what to do.

Writing a book is like learning learning how to drive for the first time. You do not want to make many mistakes because it will cost you.

Fresh off a symposium on the West Coast I made up my mind, I would write my first book. I decided to write and publish my book in less than three months. I was able to publish my first book within five months which is not bad.

I highly recommend setting a start and finish date and not letting yourself off the hook. In other words, approach your writing just as you would a office project. If you don not take writing serious you will be collecting dust on your manuscript.

My time line was 30 days to write the first draft for my book. I met my deadline, then I contacted a book cover expert, interior designer, copy expert, and last but not least the book printing company.

Who you select to develop your manuscript into a book is crucial to finalizing your book project. I was fortunate to be working with professionals who knew what they were doing and it paid dividends for me.

After the book printing company set up the press to print my book, I could not wait to see what it looked like. I was not disappointed and was so excited when my book arrived that I was overcome with joy.

The ultimate challenge awaits you. Writing your first book will be one of the most therapeutic experiences you will ever have.

Paul Lawrence Vann is a publishing coach who leads people to publish their first book in five months or less. He conducts publishing seminars throughout the U.S. and is the author of the book, Living on Higher Ground. He can be contacted at (800) 476-8976, mailto:paul@paullawrencevann.com paul@paullawrencevann.com or his blog: pvann.blogspot.com pvann.blogspot.com

From Idea To Published Book … How To Self-publish The Easy Way!

I’ve been involved in publishing for over a decade now as an author, editor, and project manager however, it wasn’t until just a few years ago that I decided to move into self-publishing. Indeed, my first few projects involved consulting for others and, now, I am involved in my own, personal projects. It has taken a while for me to come back around to my own works, but in the process I learned how to minimize time and expenses in producing a book and getting it to market.

This short article will not try to explain every aspect of book publishing in detail, but it will brush on a few of the important topics. I have a few other book projects in the making that will detail the book self-publishing process; however, in the mean time, this should give you a good basis of understanding.

The Idea

The most difficult part of creating your manuscript is deciding on the topic. We all have ideas. It’s part of our being. Ideas pop in and out of our heads all day long; however, we usually dismiss many of them as useless or too simple to be of use. You would be surprised at how many people want simple and easy-to-understand information! Readers want books that teach, inform, and entertain.

When you sit down and really think about all you’ve learned throughout your life, you’ll be amazed at how much you really know! Your life experiences alone could fill a library! Even if you feel that you don′t have any knowledge that would be of interest to anyone, you can start small. Research a market that interests you, find your competition, learn all that you can about a specific subject, and then write about it. Your ideas are important, as your knowledge and point-of-view are unique and of interest to others.

Planning the Product

I always suggest keeping your book concise and informative. This provides a small footprint, yet it also allows your readers to purchase your book at a reasonable price. Keep it around 100 pages, which, once in book format, equals about 50, two-sided pages.

The core content of the manuscript consists of a title page, copyright, table of contents, figure and table references, acknowledgements, forwards, content, appendices, index, and back page. This list is the basic minimum requirements to support the information necessary to present your book and its content. Of course, you can add other items such as a glossary and a preface, but such inclusions are at your discretion.

It is best to produce your book in the standard 5.5 by 8.5 format in both print and PDF. I always suggest PDF to my publishing clients because it is one of the few cross-platform (i.e., Mac, PC, PDA, and UNIX-based machines) document distribution products available today and it is the most popular.

The Manuscript

Once you’ve focused on an idea, you’ll have to create an outline or table of contents to define the content. The best way I’ve found to do this is to break the idea down into blocks of contiguous information — similar to assembling a pyramid. Step through your idea and ensure that you are building from, for example, the most general information to the most specific information. Check the outline several times, and have a friend review it, to ensure that gaps are filled in appropriately.

You can actually over-rewrite your work to the point of frustration and burn-out. Ensure that you’ve planned and researched appropriately to provide a solid foundation. In this way you can develop a first draft and then perform substantive and grammar edits. Then, perform a technical edit and a second draft. Once the second draft is complete, move into a final copy edit then, once you produce galleys or a sample version of the finished book, perform a proof read. Don’t rework any of the core steps of document development, but ensure that each step is completed with quality in mind. This ensures a solid product in a short amount of time. If you would like to update or add to the information in your first release, provide a follow-up revision.

ISBN and Copyright

Once you’ve started your manuscript, order your group of ISBNs. You can sign up for your ISBNs at isbn.org for about $240 for 10 ISBNs. However, additional fees can be imposed based on express orders. This is why I say, order the ISBNs while you’re writing the manuscript so that you can afford to wait the 10 days for standard, free, delivery.

You will have to convert your ISBN numbers to EAN barcodes to apply to the back page of your book. The barcode must consist of the ISBN you assigned to the book as well as the coded pricing of the book. You can have a vendor generate the barcodes for between $3 ( toupin.com/serv_writing.asp) and $20 per barcode or you can download and use the Barcode Maker ( hem.passagen.se/sams/barcode.htm) to generate your own barcodes. For the price, it will pay for itself in just a few ISBNs for your books.

Once you have assigned one of your ISBNs to a book, you can register it in Books In Print ( booksinprint.com/bip/). This is how booksellers are able to access your information and sell your book through their outlets. Additionally, you’ll want to register your manuscript-in-progress with the Library of Congress Cataloguing in Publication ( cip.loc.gov/cip/ecip⯎.html). This registers your book for access by libraries and government archives. You will be e-mailed the CIP data to be printed on the copyright page following the heading Library of Congress Cataloging-in-Publication Data.

To protect your work and ideas, copyrighting your book is a simple and inexpensive process. There are actually several different methods of protecting your work including government and commercial organizations. The primary sites are the government copyright office ( copyright.gov/forms/) and WriteSafe ( writesafe.com/).

Production

There are many different ways to produce your books; however, costs range from a $1,000 initial setup plus the purchase of a few hundred copies down to no setup fees and pay-as-you-go. The final choice is yours, but my direction involved a local printing company and a pay-as-you-go scheme. With this approach, reduced initial costs are reflected back to the readers and your profit potential is seen immediately.

Three places that I’ve experimented with to print some of my books include Kinko’s ( kinkos.com/), InstantPublisher ( instantpublisher.com/pricing.htm), and Mimeo ( mimeo.com/). Of course, use these for starters to experiment with your books. Eventually, you′ll find the right bindery for your needs. You can locate many publishers via Google.com or AllTheWeb.com using keywords such as online printing, book printing, and print on demand, but once you get some experience behind you, the choice will be much easier.

Marketing and Distribution

Once you assign and register your ISBN for your manuscript, it becomes available to the multitude of book stores around the globe including Amazon, Borders, Barnes&ampNoble, and various other major book sellers. Now that you have your book out there, the trick is to have people purchase the book and have book stores stock copies on their shelves.

To have the book stores purchase in quantity, you’ll have to devise a solid marketing plan to their acquisitions personnel. In many cases, book stores will simply sell your book to their customers as it is requested, but if you can get them to buy in bulk, that’s greater exposure and sales for you!

You can also license out the content to various professional speakers. Speakers are always looking for ways to provide quality information specific to their presentations. They might use your content in a handout, or perhaps for sale in the back of the room. Locate those speakers that fit within your audience and contact them. Find out their needs for their next presentation and work out a deal for them to resell your books. I’ve had many speakers use my articles in their presentations and the exposure and feedback has been overwhelming.

Of course, you should always locate affiliates to help sell your books. One way is to offer them a percentage of the gross sales or sell them copies of the books at a discount. Either way, you will have agents out pushing your books for you to make money for them, as well as for you.

Always provide a web site that boasts the benefits of your book. Use a book cover maker to create a book image on the web site. One quality book cover creator is called CoverFactory ( ans2000.com/a2k_coverfactory.php) and provides numerous capabilities to generate professional looking covers for books, software, and services.

Free content is an important way to bring people to your site and let people know about your book. You can provide rewritten excerpts from your book as articles and submit them to various article announcement lists, press release sites, zines, and directories. I’ve been able to locate and associate with over 1,000 sites and lists that accept and publish my articles. This provides outstanding coverage for my sites, services, and products.

Sales and Returns

Since you are the publisher, you now have to determine how to handles sales. It’s important to define how you will handle direct sales and shipping, bulk sales, and affiliates. You want to ensure that your sales go smoothly as well as provide enough of a margin so that everyone profits.

When collecting funds, it’s important to accept credit cards through one of the popular merchant vendors. To minimize expenses and provide a common and secure payment mechanism, I use StormPay ( stormpay.com) and PayPal ( paypal.com). Since people have their likes and dislikes of online payment vendors, using both allows many different types of users to submit payments. Of course, you must always determine how to handle returns as part of a quality customer service program.

What’s next?

Obviously, the information provided here is merely an overview of the entire process. However, I am working on a book that provides all of the details of producing your own book under your own imprint. Publishing provides excellent return monetarily as well as through enhanced self-esteem. There is quite a feeling that comes with getting your message out there and having people return positive feedback. Perhaps, once you self-publish a few of your own titles, you can work on publishing other authors and open a full-fledged publishing house. In this day, such a venture is not unheard of!

Edward B. Toupin, Ph.D., is a published author, life-strategy coach, counselor, Reiki Master, and technical writer living in Las Vegas, NV. Edward works with people to help them strive for a richer life. He also authors books, articles, and screenplays on topics ranging from career success through life organization and fulfillment. Check out some of his recent print and electronic books as well as his articles covering various life-changing topics! Contact Edward at mailto:etoupin@toupin.com etoupin@toupin.com or visit his site at make-life-great.com make-life-great.com.

Article Post Robot - A Review and Introduction to Features

Having owned Article Post Robot for some time now (well over a year) and submitted hundreds of articles using the software I feel I’m in a great position to provide an honest review, and to detail some of the features that you can expect in the software.

When I first bought the software I was very pleased with my purchase. I could submit my articles to a couple of hundred article directories which was great. Since then I have received a number of free upgrades as Article Post Robot has advanced in its capabilities.

Article marketing is undoubtedly a great promotional method for websites and businesses, and Article Post Robot makes the process so much faster than submitting articles manually. The problem I had after a while of owning the software though was that the same article was being submitted to hundreds of directories. At first I thought this was great; I was receiving hundreds of backlinks for very little work, but I knew that things would change as the search engines began to clamp down on duplicate content in their search results pages. Displaying a large number of the same results is not what the search engines want, and that’s when the next update of Article Post Robot was released…and this was big!

The update revealed a complete revamp of the software that blew me away. I could now submit unique variations of the same article to the directories, including random resource boxes, random article content, random titles, and random summaries. By rewriting an original article into 2 or 3 more, the software could choose paragraphs from the articles randomly (whilst keeping the paragraphs in the correct order), ultimately creating unique articles each time the software automatically visits an article directory and submits!

The only downfall of the software that I’ve read others suggesting is not being able to edit the directory list with new directories, however even this has now been updated. There are currently 450 directories preloaded in Article Post Robot, with the ability to add more if you choose to (not including the free updates that are constantly being released).

There are sometimes cases where I come across products where it is possible to say they are “must have” items. I believe this is true for Article Post Robot as it offers so many features and benefits which easily outweigh the price being asked. It truly is a product that you should have in your marketing arsenal.

For your onlinewithjustin.com/article-post-robot-bonus/ Article Post Robot bonus head over to onlinewithjustin.com/article-post-robot-bonus/ onlinewithjustin.com/article-post-robot-bonus.

Writing for Clarity: 4 Surefire Ways to Maintain Your Focus

Losing focus can really dilute the power of your writing. Whether you’re writing for the general blogosphere, or an email to a client, of for any specific audience, knowing how to keep your text centered on your point brings that point into sharper focus. Sometimes clarity is one re-reading away; other times you’ll find the writing process has sparked an inadvertent brainstorming session. In either event, you can find your point and make it shine with a few simple steps:

1. Make a point-sentence

Distill the main idea of your document into one sentence, your point-sentence, and put that sentence prominently in your document. Print it out and tape it to the top of your monitor. Make sure that you can—and do!—refer to your point-sentence regularly.

2. Keep your paragraphs short

The more time you take to make your point, the more likely you are to drift from your topic. Look for places where you’ve overwritten, since long paragraphs often indicate the presence of more than one point. Refer to your point sentence to guide you in removing excess—and extraneous—writing.

3. Leave time for rereading

In order for a reread to be most effective, you should leave yourself enough time to separate from your text so you can approach it with fresh eyes. That way as you go through, you’ll benefit from seeing your points without already knowing what you’re going to say. And when you read as a reader, not as a writer, you’ll be able to see when you’ve drifted off topic.

4. Take notes as you go

When you start a new paragraph, make a note in the margin reminding yourself what you’re trying to say with the new point. While this is easier to do on paper, you can use the track-changes function in most word processors to make your own margin call-outs. Alternatively, you can open a second document to make notes in; that way your brainstorming material stays in one window while your main points stay in another.

© 2006 Red Pepper Writing

Aaron Nielsenshultz, Writing Guru for Red Pepper Writing ( redpepperwriting.com redpepperwriting.com), teaches ambitious coaches, consultants, and other solopreneurs how to use the power of writing to get more clients and make more sales. For F*REE weekly tips, sign up for our ezine here: redpepperwriting.com/ezine.htm redpepperwriting.com/ezine.htm

Top Ten Tips (Part 2)

Golden Rules For New Writers - Things you need to know before you begin.

Rules govern everything we do in life; even if those rules are of the
unwritten kind we abide by them and expect other people to do the same.
Why should writing be any different? It shouldn’t be and it isn’t. The
following rules are the basis for good writing. If anyone tries to tell you
that rules are made to be broken, remember that you have to learn those
rules before you try to bend them or break them otherwise you are just
being sloppy, not radical.

If you missed Part 1 of this Article, you can read it in its entirety at my website: huntingvenus.com/ecwart1.htm
_____________________

Spell well

You need to be able to spell in order to write properly. If punctuation is
the putty in your windows, spelling is the bricks out of which your house
is built. If you don’t have bricks, you cannot build yourself a house. You
will probably find this hard to believe but spelling used to be taught in
schools in the olden days. Nowadays most people who write do so on a
word processor with a spell check function. It is apparent that many of
these people do not bother to use their spell checker. This sort of
laziness cannot be excused. At the same time, you should not rely entirely
on the spell checker: it is only a machine trying to guess what word you
have scrambled. If you are not sure about a word, look it up in a
dictionary: it never hurts to know the correct meaning of words as well as
the correct spelling. Never forget that spell check will take your words
out of context: if you type “He sold his soul to Santa”, you can’t blame
the spell checker for not knowing your really meant “Satan”. People
would snigger cruelly if you failed to correct this.

Keep to the point

Never make the mistake of padding out your writing with unnecessary
or irrelevant details. Keep to the subject announced in your title, after
all, the title is probably what attracted the reader in the first place. If the

body of your work does not relate to the expectation aroused by the title,
the reader will feel tricked and nobody likes that feeling - your
reader will move on to read somebody s/he can trust. Do not attempt to

pad out your writing with unnecessary words: inserting a few adverbs or
adjectives to boost the word-count never works and makes the article
difficult to read. Keep it simple, whether people are reading for pleasure
or enlightenment, they will not appreciate lumpy prose and they are not
reading your work to marvel at your cleverness or your vocabulary. If
you run out of things to say before your work is the length you wish to
achieve, you are writing on the wrong subject or from the wrong angle.

Read and revise

Boring but essential. However much we enjoy the writing process,
reading the end product over and over and making changes is not what
we want to be doing. We would rather be starting the next article which
is bubbling up in our brains but we have to read, re-read, revise and revise
again. It is easy to make mistakes particularly if you have written
something over a long period . If you do not correct your mistakes
before publication, you will lose the trust of your audience. (I never got
over the fact that one of my favourite authors accidentally changed the
date of birth of a main character half way through a novel. How could I
ever believe in his people if they had moveable birthdays?) If you were a
carpenter, you would not offer your customer an unfinished piece of
furniture. If you were a tailor you would not offer your customer an
unpressed garment. The author should not dream of offering the reader
an unpolished piece of writing.

Sleep on it

Don’t be in a rush to publish your work the minute it is finished. Let it
rest. If it is ready for publication, it will still be ready tomorrow but, if it
is not quite ready, you will have given yourself a chance to make a final
amendment. This is particularly relevant when you are writing shorter
things. If you have spent months redrafting a novel, you are likely to
know if you have satisfactorily completed the final draft but it is easy to
knock out and send off short items such as articles or letters and then
regret our haste. There is always scope for improvement and what looks
like a work of art in the evening glow, might not appear so well in the
cold morning light.

Pay attention to detail

If you do not pay attention to detail, you will not discover your errors and
there will be plenty of people out there who will be delighted to pick out
and highlight the smallest error. Some people just can’t help themselves:
it is the way they are made (the way I react when a menu offers me a
choice of “Salad’s” - salad’s what?). Other people are just waiting to see
you trip yourself up. Don’t give them the satisfaction: get things right
before they start pointing and you will have the last laugh. If you have
realised that this paragraph is number eleven of my top ten and are already
laughing - Well Done! If you did not notice - see what I mean?

This is one of a series of articles
published by the author, Elaine Currie, BA(Hons)
at huntingvenus.com huntingvenus.com
The author’s monthly newsletter is available free
from mailto:networkerhvm@ReportsNetwork.com

Hero’s Journey 188 stages Of - Situational and Structural Storytelling - Period of Dissonance

Kal Bashir’s 188 stage Hero’s Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188 stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

SITUATIONAL AND STRUCTURAL STORYTELLING

It’s important to get away from this idea that all stories are different.

On a situational level all stories are. For example, Gladiator (2000), Alien (1979) and The Godfather (1972) all are situationally very different.

But on a structural and subconscious level, they′re all the same.

And I don’t mean basic structure, like three act structure (of course stories have a beginning, middle and end). And I don’t mean plot points etc either (Plot Point 1 and 2, Midpoint etc).

I mean, sequence by sequence, the vast majority of successful stories [we haven't found one that doesn't] follow the same process that pushes the Hero and Major Characters through the process of Transformation and Challenge Resolution.

What this means is that you, as a writer, must confidently understand this structure (Kal Bashir’s 188 stage Hero’s Journey), use it to establish your structural outline and then superimpose your situation over it.

more…

(simply go to heros-journey.info for full details)

ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

PERIOD OF DISSONANCE

One often missed aspect of the Hero’s Journey is the Period of Dissonance. Often Shape Shifters hesitate to make a final decision.

In Bonnie and Clyde (1967), Moss is caught between loyalty to Clyde and his father. Similarly, Blanche is conflicted about giving away Moss’ surname.

In Gladiator (2000), the soldiers watch the battle between Commodus and Maximus and are torn between loyalty to the Emperor and fairness.

In Star Wars (1977), Han decides that engaging with the Death Star is suicidal, until he relents in the last minute.

Learn more…

WRITE THAT SCREENPLAY!

The Complete 188 stage Hero’s Journey and other story structure templates can be found at monomyth.info/ monomyth.info/

188 stages of the Hero’s Journey can also be reached from heros-journey.info/ heros-journey.info/

You can also receive a regular, free newsletter by entering your email address at this site.

You are free to reproduce this article as long as no changes are made, the author’s name is retained and the link to our site URL remains active.

Kal Bishop, MBA

Speaking One-to-One

Speaking to an individual is different from the group experience. Whether you are training someone, selling, coaching, or asking for a raise, here are some tips for speaking one-to-one.

• Eliminate distractions. Choose a comfortable setting—perhaps your office or a conference room with good lighting. Block off distracting window views and minimize interruptions. Clear the table of clutter.

• Sit next to the person at eye level. Sit side by side rather than across a desk form each other. This has psychological and physical effects. It creates a feeling of being on the same side and allows both people to look at materials from the same perspective.

• Maintain good eye contact but don’t stare. In a group you make eye contact with everyone. With individuals, you don’t want to lock eyes. Break eye contact from time to time. A good guide is to look at the person 70% of the time.

• Use visual aids. Props, pictures, and objects can serve as effective visual aids. Visuals are important learning tools, and you shouldn’t overlook them in a one-to-one situation. Be sure your visuals are appropriate to the situation. A few carefully placed props and occasional use of a table easel can enhance your presentation.

• Clarify but don’t repeat questions. In a large group, you repeat the question so that everyone can hear it. But in one-to-one settings, the same technique would be silly. You may ask for clarification: “Are you saying that you need more practice?” Or you may restate the question in your answer. “The procedure for this project is…”

• Maintain a comfortable physical distance. Don’t invade the other person’s space. When sitting side by side, don’t lean in or take over the person’s materials. Ask permission to demonstrate with their materials.

• Pause. The brain needs a few seconds to process information. Don’t overload the learner with too much data. Pause between thoughts to let the information sink in.

• Use smaller gestures. Show enthusiasm and get involved with the learner. Allow yourself to be natural and expressive. But contain your gestures, because the physical space is smaller in one-to-one situations. Wide, sweeping movements will seem out of place.

• Prepare and organize. It’s easy to lose track of time when you’re working with only one person. Whether you train one person or a hundred, the preparation is the same. Without adequate preparation, you’ll seem disorganized and unprofessional. Prepare an outline and establish time frames.

Watch for nonverbal cues. In a group, different personalities react in diverse ways. Someone in the group will often say what others are thinking. In a one-to-one situation, however, the person may feel reluctant to tell you that he or she needs a break or doesn’t understand. Watch body language and continually check back: “You look like you disagree.” “Are you ready for a break?” “Is this something you can use on the job?”

Copyright Diane DiResta 2005. All rights reserved.

Diane DiResta, President of DiResta Communications, Inc. is an International speaker, coach, and author of Knockout Presentations: How to Deliver Your Message with Power, Punch, and Pizzazz. To subscribe to Impact Player, a free online newsletter visit diresta.com diresta.com.

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